- Titel: Quid est secretum? : visual representation of secrets in early modern Europe, 1500-1700
- Beteiligt:
- Erschienen: Leiden ; Boston : Brill, [2020]
- Enthalten in: Intersections
- Zählung: volume 65/2 - 2020
- Umfang: XLVI, 734 Seiten, Illustrationen
- ISBN: 9789004432253; 9004432264; ISBN 978-90-04-43226-0
- Sprache: Englisch
- Schlagwörter: Wissen Motiv ; Visualisierung ; Kunst ; Geheimnis Motiv ; Symbol ; Wissen ; Europa ; Konferenzschrift ; Geschichte 1500-1700 ; Symbolism in art / Congresses ; Knowledge, Theory of / Europe / History / Congresses ; 2018 ; Atlanta, Ga
- Kommentar: Titel der Konferenz "Quid est secretum?: On the Visual Representation of Mystery and Secrecy in Early Modern Europe, 1500-1700" ermittelt
- Medientyp: Buch
- Datenquelle: Kunsthistorisches Institut Florenz , Zentralinstitut für Kunstgeschichte in München , Bibliotheca Hertziana , Kubikat
Mehrbändiges Werk
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pages:617-632
pages:617-632
To hide is to reveal: the paradox of representing secrets
[2020]
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pages:460-491
pages:460-491
Secrets of the dark: Rembrandt's "Entombment" (c. 1654)
[2020]
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pages:1-10
pages:1-10
Introduction: What's in a secret?
[2020]
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pages:316-330
pages:316-330
An open and shut case: on the dialectic of secrecy and access in the early-modern Kunstkammer
[2020]
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pages:429-459
pages:429-459
"In abscondito": visuality and testimony in Raphael's "Transfiguration"
[2020]
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pages:708-727
pages:708-727
Secrecy and the understanding of small things in early modern Italy
[2020]
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pages:191-228
pages:191-228
"Teach me, reveal the secret to my heart": the role of a spiritual guide in the meditative works of Marcin Hińcza
[2020]
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pages:492-510
pages:492-510
Poussin and Richeome: mystery and figurability
[2020]
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pages:260-283
pages:260-283
What did they see?: science and religion in the anatomical theatres of the sixteenth and seventeenth centuries
[2020]
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pages:397-426
pages:397-426
Roger de Piles and the secret of grace
[2020]
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pages:331-379
pages:331-379
Mysterious noises: orfhic strings, rough music, and the sounds of early modern ornaments prints
[2020]
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pages:683-707
pages:683-707
Convents, condottieri, and compulsive gamblers: hands-on secrets of Lorenzo Spirito's "Libro"
[2020]
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pages:231-259
pages:231-259
Of grids and divine mystery: Gerard Mercator's revelation
[2020]
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pages:287-315
pages:287-315
The Sienese goldsmith and the secrets of the Florentine "disegno"
[2020]
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pages:572-616
pages:572-616
Hidden in plain sight: Melchior Lorck's emblematized adages
[2020]
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pages:380-396
pages:380-396
"Insettinghe" and "yegelijcx conversatie": understanding of the image on the eve of Baroque
[2020]
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pages:13-36
pages:13-36
In the secrecy of the cell: late medieval Carthusian devotional imagery and meditative practices in the Low Countries
[2020]
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pages:511-545
pages:511-545
Portrait or parable?: Pierre Mignard and the mystery of Madame de Maintenon
[2020]
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pages:635-659
pages:635-659
Getting to how-to: chiromancy, physiognomy, metoscopy and prints in secrets' service
[2020]
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pages:549-571
pages:549-571
"Secret est à louer": secrets and secrecy in French baroque cartography, 1580-1640
[2020]
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pages:660-682
pages:660-682
The answer lies in the eye of beholder: the emblematic ceiling program in the town hall of Gdańsk
[2020]