- Titel: Sertão : 36o Panorama da Arte Brasileira
- Beteiligt:
- ;
- Erschienen: São Paulo : Museu de Arte Moderna de São Paulo, 2019
- Umfang: 213 Seiten, Illustrationen, 26 cm
- ISBN: 9788586871962; 8586871966
- Sprache: Portugiesisch; Englisch
- Schlagwörter: Ausstellungskatalog ; Art, Brazilian / 21st century / Exhibitions ; Art, Modern / 21st century / Exhibitions ; Art, Brazilian ; Art, Modern ; 2000-2099 ; Exhibition catalogs ; Museu de Arte Moderna São Paulo ; 17.08.2019-15.11.2019 ; São Paulo
-
Inhalt:
Foreword = Apresentação/ Mariana Beranguer -- Introduction = Introdução / Felipe Chaimovich -- Sertão = Sertão / Júlia Rebouças -- Of plastics, caresses, and carecarás = De plásticos, carícias e carecarás / Fabiana Moraes -- Ressertão = Ressertão / Rondinelly Medeiros -- An extension definition of fence, a feminine noun = Uma extensa definição de cerca, substantivo feminino / Mabe Bethônico -- Guest artists = Artistas Convidados
The 36 Panorama da Arte Brasileira, presents 29 artists and collectives who meet to share resistance strategies and models of experimentation from their own narratives. If "sertão" (backcountry) is at the limit of what one can grasp, by definition, the idea of panorama is complementary in the form of its contradiction. The importance of bringing these instances together and embracing these oppositions, however, is due to the increasingly present need to defend non-hegemonic existences and to share other ways of life. As long as art can assert its backwoods condition, there will always be struggle, there will always be a difference, there will always be the new. Participating artists include: Ana Lira (Caruaru, PE, 1977. Lives in Recife) -- Ana Pi (Belo Horizonte, 1986. Lives in Paris) -- Ana Vaz (Brasília, 1986. Lives in Lisboa) -- Antonio Obá (Ceilândia DF, 1983. Lives in Brasília) -- Coletivo Fulni-ô de Cinema (Águas Belas, PE) --
Cristiano Lenhardt (Itaara RS, 1974. Lives in São Lourenço da Mata, PE) -- Dalton Paula (Brasília, 1982. Lives in Goiânia) -- Daniel Albuquerque (Rio de Janeiro, 1983. Lives in Rio de Janeiro) -- Desali (Contagem, MG, 1983. Lives in Belo Horizonte) -- Gabi Bresola & Mariana Berta (Joaçaba, SC, 1992 / Peritiba- SC, 1990. Live in Florianópolis) -- Gê Viana (Santa Luzia, MA, 1986. Lives in São Luís) -- Gervane de Paula (Cuiabá, 1961. Lives in Cuiabá) -- Lise Lobato (Belém, 1963. Lives in Belém) -- Luciana Magno (Belém, 1987. Lives in São Paulo) -- Mabe Bethônico (Belo Horizonte, 1966. Lives in Geneve and Belo Horizonte) -- Mariana de Matos (Governador Valadares MG, 1987. Lives in Recife) -- Maxim Malhado (Ibicaraí BA, 1967. Lives in Massarandupió, BA) -- Maxwell Alexandre (Rio de Janeiro, 1990. Lives in Rio de Janeiro) -- Michel Zózimo (Santa Maria, RS, 1977. Lives in Porto Alegre) -- Paul Setúbal (Aparecida de Goiânia, GO, 1987. Lives in São Paulo) --
Radio Yandê (Rio de Janeiro, 2013) -- Randolpho Lamonier (Contagem, MG, 1988. Lives in Belo Horizonte) -- Raphael Escobar (São Paulo, 1987. Lives in São Paulo) -- Raquel Versieux (Belo Horizonte, 1984. Lives in Crato, CE) -- Regina Parra (São Paulo, 1984. Lives in São Paulo) -- Rosa Luz (Gama, DF, 1995. Lives in São Paulo) -- Santídio Pereira (Curral Comprido, PI, 1996. Lives in São Paulo) -- Vânia Medeiros (Salvador, 1984. Lives in São Paulo) -- Vulcanica Pokaropa (Presidente Bernardes, SP, 1993. Lives in Florianópolis) - Kommentar: "Exposição realizada no Museu de Arte Moderna de São Paulo de 17 de agosto a 15 de novembro de 2019"--Last Page
- Medientyp: Buch
- Datenquelle: Zentralinstitut für Kunstgeschichte in München , Kubikat
Zum Inhalt springen