- Titel: ReVisioning : critical methods of seeing Christianity in the history of art
- Beteiligt:
- Erschienen: Cambridge : The Lutterworth Press, 2014
- Enthalten in: Art for faith's sake
- Zählung: 10
- Umfang: xx, 356 Seiten, Illustrationen, 23 cm
- ISBN: 1620320843; 9781620320846
- Sprache: Englisch
- Schlagwörter: Art / History / Methodology ; Christian art and symbolism / History ; Geschichte ; Kunst ; Christliche Kunst ; Methodologie ; Ikonographie ; Aufsatzsammlung
- Kommentar: Includes bibliographical references and index
- Medientyp: Buch
- Datenquelle: Zentralinstitut für Kunstgeschichte in München , Kubikat
Mehrbändiges Werk
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pages:310-322
pages:310-322
Embodiment as Sacrament: Francis Bacon's Postwar Horror
2014
-
pages:224-241
pages:224-241
Reading Visual Rhetoric: Strategies of Piety and Propaganda in Lucas Cranach the Elder's Passional Christi und Antichristi
2014
-
pages:146-165
pages:146-165
Reading Hermeneutic Space: Pictorial and Spiritual Transformation in the Brancacci Chapel
2014
-
pages:242-257
pages:242-257
Reading Devotion: Counter-Reformation Iconography and Meaning in Gregorio Fernández's Cristo yacente of El Pardo
2014
-
pages:294-309
pages:294-309
Figuring Redemption: Christianity and Modernity in Max Beckmann's Resurrections
2014
-
pages:192-205
pages:192-205
Reading Theological Place: Joachim Patinir's Saint Jerome in the Desert as Devotional Pilgrimage
2014
-
pages:72-93
pages:72-93
Icon as Theology: The Byzantine Virgin of Predestination
2014
-
pages:206-222
pages:206-222
Reading Theological Context: A Marian Interpretation of Michelangelo's Roman Pietà
2014
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pages:2-24
pages:2-24
Expanding the Discourse on Christianity in the History of Art
2014
-
pages:276-293
pages:276-293
Consuming Christ: Henry Ossawa Tanner's Biblical Paintings and Nineteenth-Century American Commerce
2014
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pages:324-342
pages:324-342
Media, Mimesis, and Sacrifice: Paul Pfeiffer's Contemporary Christological Lens
2014
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pages:44-70
pages:44-70
Iconographic Structure: Recognizing the Resurrected Jesus on the Vatican Jonah Sarcophagus
2014
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pages:27-41
pages:27-41
Methodological Issues from the Fields of Art History, Visual Culture, and Theology
2014
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pages:114-131
pages:114-131
Iconography of Sign: A Semiotic Reading of the Arma Christi
2014
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pages:94-113
pages:94-113
Marginalia or Eschatological Iconography?: Providence and Plenitude in the Imagery of Abundance at Orvieto Cathedral
2014
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pages:260-275
pages:260-275
Historicism and Scenes of "The Passion" in Nineteenth-Century French Romantic Painting
2014
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pages:132-142
pages:132-142
Hybridizing Iconography: The Miraculous Mass of St. Gregory Featherwork from the Colegio de San José de los Naturales in Mexico City
2014