• Titel: As if in place of the numberless indefeasible freedoms, one single, unconscionable freedom had been set up
  • Beteiligt: Creischer, Alice [ Herausgeber/In ] ; Siekmann, Andreas [ Herausgeber/In ]
  • Körperschaften: Haus der Kulturen der Welt Berlin ; Leuphana Universität Lüneburg ; Akademie der Künste der Welt ; Verlag der Buchhandlung Walther König Köln
  • Erschienen: Köln : Verlag der Buchhandlung Walther und Franz König, [2022]
    © 2022
  • Enthalten in: Potosí Principle Archive
  • Zählung: Volume 2
  • Umfang: 729 Seiten, Illustrationen, 30 cm
  • ISBN: 9783753302096
  • Sprache: Englisch
  • Schlagwörter: Ausstellungskatalog ; Bildende Künstler
  • Inhalt: Unmasking human rights as legitimation of states and corporations, doesn't work anymore when they are worn like costumes of evil clowns. -- About the Coup d'etat in Bolivia -- The extirpation of idolatries and its present / exegesis of the bible by Leon Ferrari and Mujeres Creando -- Supplement by Pedro G. Romero -- Ines Doujak, Eviva el Cotillo, The Investigator and her Friendos, Masterless Voices -- Maria Galindo, The invisible Cage / 8 lessons for everyone who speaks and writes about human rights or records them in words at meetings in committees, in seminars, in calls and essays, in offices, in the style sheets, in the codes of conduct of companies and institutions -- Matthijs de Bruijne, 1000 Dreams, clear images of the lives of 89 different persons in China, crystallizing moments of tension, aspiration and hardship -- on frozen lakes and in the hearts of our days the hopes run worried with ice skates -- Sonia Abian, The use(less) mouths, A hypothesis on femin(IC)ides in one act / A (ceramic) piece in four sparks -- Leon Ferrari, "La Justicia / 1492-1992, V Centenario de la conquista", 1992 -- It's not about beliefs, it's about a subjectivity that talks like this: "democracy and freedom of expression are important, I don't want to be enlightened by any authorities. I take this sovereignty when I vote." If you don't understand how Al works, you can't understand how it manipulates you. That's why I try to learn programming
  • Medientyp: Buch
  • Datenquelle: SLUB Dresden , documenta archiv Kassel , Kunstbibliothek - Staatliche Museen zu Berlin , Zentralinstitut für Kunstgeschichte in München , Kubikat