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«When one cannot read the original language, one rapidly loses oneself in translations (veils, fringes or clothing …)»
Enthalten in: Katrin Mayer und Kathrin Peters: «When one cannot read the original language, one rapidly loses oneself in translations (veils, fringes or clothing …)». In: Zeitschrift für Medienwissenschaft. Heft 5: Empirie, Jg. 3 (2011) Nr. 2, S. 112–120. DOI: http://dx.doi.org/http://dx.doi.org/10.25969/mediarep/4168.
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Elective Affinities? History and Photography
Enthalten in: Jäger, Jens (2018): Elective Affinities? History and Photography. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 39–55. DOI: http://dx.doi.org/10.25969/mediarep/1621.
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Re-imagining the Family Album through Literary Adaptation
Enthalten in: Waterman, Sally (2018): Re-imagining the Family Album through Literary Adaptation. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 155–176. DOI: http://dx.doi.org/10.25969/mediarep/1678.
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How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes. The Case of Togo
Enthalten in: Azamede, Kokou (2018): How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes. The Case of Togo. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 57–68. DOI: http://dx.doi.org/10.25969/mediarep/1646.
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African Photography in the Atlantic Visualscape. Moving Photographers – Circulating Images
Enthalten in: Schneider, Jürg (2018): African Photography in the Atlantic Visualscape. Moving Photographers – Circulating Images. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 19–38. DOI: http://dx.doi.org/10.25969/mediarep/1620.
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Re-framing Photography – Some Thoughts
Enthalten in: Michels, Stefanie (2018): Re-framing Photography – Some Thoughts. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 9–17. DOI: http://dx.doi.org/10.25969/mediarep/1619.
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On the Circulation of Colonial Pictures. Polyphony and Fragmentation
Enthalten in: Hahn, Hans Peter (2018): On the Circulation of Colonial Pictures. Polyphony and Fragmentation. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 89–108. DOI: http://dx.doi.org/10.25969/mediarep/1650.
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Presentness, Memory and History: Thabiso Sekgala, HOMELAND
Enthalten in: Gutberlet, Marie-Hélène (2018): Presentness, Memory and History: Thabiso Sekgala, HOMELAND. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 69–88. DOI: http://dx.doi.org/10.25969/mediarep/1647.
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Public Rites/Private Memories. Reconciling the Social and Individual in Wedding Photography
Enthalten in: Ruchatz, Jens (2018): Public Rites/Private Memories. Reconciling the Social and Individual in Wedding Photography. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 177–203. DOI: http://dx.doi.org/10.25969/mediarep/1679.
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Swimming Against the Hetero- and Homonormative Tide: A Queer Reading of Wolfgang Tillmans’ Photo Installation (2004-2009) in the Panorama Bar at Berlin’s Berghain
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A Radical-Ambiguous (Re-)Vision of America’s West. David Benjamin Sherry’s Eco-Queer Critique of America’s Changing National Parks in his Photo Series Climate Vortex Sutra (2014)
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Reflexions on the Photographic Archive in the Humanities
Enthalten in: Prussat, Margrit (2018): Reflexions on the Photographic Archive in the Humanities. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 133–153. DOI: http://dx.doi.org/10.25969/mediarep/1677.
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Portraits of Distant Worlds. Frobenius’ Pictorial Archive and its Legacy
Enthalten in: Kuba, Richard (2018): Portraits of Distant Worlds. Frobenius’ Pictorial Archive and its Legacy. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 109–131. DOI: http://dx.doi.org/10.25969/mediarep/1652.
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Instant Failure: Polaroid’s Polavision, 1977–1980
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Formatting Faces: Standards of Production, Networks of Circulation, and the Operationalization of the Photographic Portrait
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THE FAMILY OF MAN. Education Through Photography, Travelling in Time and Space. Teaching Visual Literacy in Seminars, Artistic Tutorials, and Field Research
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Rethinking Photography: A Historical Perspective
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Shifts in the Photographic Paradigm through Digitality & the Aesthetics of Noise
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‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM
Enthalten in: Smith, Caylin (2012): ‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM. In: NECSUS. European Journal of Media Studies 1 (2), 269–298. DOI: https://doi.org/10.5117/NECSUS2012.2.SMIT.
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Speaking Images of Humanity. THE FAMILY OF MAN Exhibition as an Exemplary Model of Relational Aesthetic and Pictorial Practice
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