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La guerre vue à travers la sculpture funéraire
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VIII La répercussion de la guerre sur les convictions politiques, dans les discours parlementaires et scolaires et son expression dans l'art officiel: Sous la présidence de Karl Ferdinand Werner
perspectivia.net - The publication platform of the Max Weber Foundation, 2015-05-06
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»Bel canto« and cultural exchange: Italian vocal techniques in London 1790–1825
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'A musical clash of civilisations'?: Musical Transfers and Rivalries around 1900
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'Representing the very best': Anglo-German Competition and Transfers in Sport
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Osmanlı Sarayı’nda Bir Macar Piyanist: Géza Hegyei
Max-Weber-Stiftung, 2023
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Herausfordernde Musiker/-innenorganisation. Der Oesterreichisch-Ungarische Musiker-Verband im imperialen Kontext
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Tavola rotonda. Incroci tra storia culturale e storia della musica a livello europeo: Metodi e problematiche per il XVII e il XVIII secolo
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In the Wings: Offstage Labour in a Provincial Italian Theatre
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Krisen- und Blütezeiten: Die Entwicklung der Königlich Preußischen Hofkapelle von 1713 bis 1806
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Iranian Music and the Construction of Collective Identity: The 1970s and Early-Revolutionary Iran
perspectivia.net - The publication platform of the Max Weber Foundation, 2022
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The Rise of Internationalism in Sport
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Kunstmarkt und Kunstbetrieb in Rom (1770–1840): Akteure und Handlungsorte
De Gruyter, 2019
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The Art of Diplomacy: British Diplomats and the Collection of Italian Renaissance Paintings, 1851-1917
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Bruno, Andy: Tunguska. A Siberian Mystery and Its Environmental Legacy (Eva-Maria Stolberg)
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Automobile Tourism, Road Building, and Nature in the United States and Brazil, c. 1915-1935
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Migration und Identität: Wanderbewegungen und Kulturkontakte in der Musikgeschichte
Bärenreiter-Verlag, 2013
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Napoleon der „Weltfresser“?: Die europäische Karriere eines anti-revolutionären Bildmotivs
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Von »Geschücklichkeiten«, Pfauenfedern und einem »Phonascus«: Kollektivbiographische Studien zu deutschsprachigen Musikern in den italienischen Musikzentren Venedig und Rom (1650–1750)
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»In quest’ultimo istante riconoscimi«: Der lange Abschied der Kastraten im Spiegel des Primo-uomo-Repertoires um 1800
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