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Der eilige Lebens-Lauf und seine Schutzgöttin. Überlegungen zur Berliner ’Hekate’
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Lorenzo Magnani "nobile et uno de' senatori della città di Bologna": tasselli per un ritratto
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"Proibito firmare!": la figura artistica-professionale di Niccolò Tribolo in un saggio-recensione degli Atti di un Convegno dell’anno 2000
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Überlegungen zur mittelalterlichen Bildnisbüste
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Unbekannter Meister - Gabriele Serbelloni - Ansicht Roms, 1563 (?)
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Włoscy rzeźbiarze na dworze króla Stanisława Augusta
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The romance of art. The forgeries of Bastianini
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Abbild und Urbild im Dialog: zur Abformung von Ghibertis "Porta di mezzo"
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Dall'arca alle esequie. Aspetti della scultura a Cremona nel XVI secolo
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Die Repräsentation einer Beata Stirps. Darstellung und Ausdruck an den Grabmonumenten der Anjous
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La memoria messa in scena. Sulla funzione e sul significato dei sediali nei monumenti sepolcrali napoletani attorno al 1500
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Die unterschätzte Rolle Vecchiettas als Bildhauer in seiner frühen Werkphase
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Pietro C. Marani, Leonardo. Una carriera di pittore, Milan 1999.- [Rezension].
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Christliche Ikonographie und künstlerische Tradition in der Sarkophagplastik der ersten Hälfte des 4. Jahrhunderts
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The colors of monochrome sculpture
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Offene Fragen zum Futurismus. Überlegungen anläßlich der Ausstellungen 'Boccioni a Venezia. Dagli anni romani alla mostra d'estate a Ca' Pesaro' (Mailand, Accademia di Brera, 28. Februar – 13. April 1986) und 'Futurismo e Futurismi' (Venedig, Palazzo Grassi, 4. Mai – 12. Oktober 1986). - [Rezension]
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Das Fondi-Grabmal in S.Agostino zu Siena (Sitzungsberichte der Heidelberger Akademie der Wissenschaften, Philosophisch-Historische Klasse ; 1979,6)
Winter, 1979
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Workshop cult and workshop knowledge. Production and portraits in Thorvaldsen's studio.
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Anonymus, Rezension von: Giovan Pietro Bellori, Selecti nummi duo Antoniniani, quorum primus anni novi auspicia, alter Commodum & Annium Verum Caesares exhibit, ex Bibiotheca Eminentissimi Principis Camilli Cardinalis Maximi,Romæ, Typis Iacobi Dragondelli, 1676 in: Giornale de’ letterati, ed. Francesco Nazari, 1676, pp. 141-145 (FONTES 21)
ART-Dok (Virtual Library for Art, Heidelberg University), 2008
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Und so gross die Figur ist, so ist sie doch ohne Grösse. Canovas Carattere forte im Spiegel der Kritik seiner Zeit
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