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Re-imagining the Family Album through Literary Adaptation
Enthalten in: Waterman, Sally (2018): Re-imagining the Family Album through Literary Adaptation. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 155–176. DOI: http://dx.doi.org/10.25969/mediarep/1678.
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The Art of Ethics in the Information Society
Amsterdam University Press; Amsterdam, 2016
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Textile Diagrams. Florian Pumhösl's Abstraction as Method
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Ecologies of Disclosure: On Aesthetic Compositions of Technics and Life
Enthalten in: Bernard Dionysius Geoghegan: Ecologies of Disclosure: On Aesthetic Compositions of Technics and Life. In: spheres: Journal for Digital Cultures 2015 Nr. 2, S. 1–6. DOI: http://dx.doi.org/10.25969/mediarep/3829.
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No Child left inside. A Nature Scape Playground as Community Engagement in the United States
Enthalten in: Liley, Chez (2010): No Child left inside. A Nature Scape Playground as Community Engagement in the United States. In: AugenBlick. Marburger Hefte zur Medienwissenschaft 45, 106-117. DOI: http://dx.doi.org/10.25969/mediarep/2292.
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Couleurs à la mode. Impressionism as an Effect of the Chemical Industry
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Portrait of Absence. The Aisthetic Mediality of Empty Chairs
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Moving image and institution: Cinema and the museum in the 21st century, University of Cambridge (6-8 July 2011)
Enthalten in: Herrera, Beatriz Bartolomé (2012): Moving image and institution: Cinema and the museum in the 21st century, University of Cambridge (6-8 July 2011). In: NECSUS. European Journal of Media Studies 1 (1), 181–186. DOI: https://doi.org/10.5117/NECSUS2012.1.HERR.
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›A Skin Deep Creed‹. Tattooing as an Everlasting, Visual Language in Relation to Spiritual and Ideological Beliefs
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“Beyond Physics”? – Conceptual Art and Science
Bauhaus-Universität Weimar; Weimar, 2016-05-11
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Operation video. The use of images as visual agents in struggles over representation
Enthalten in: Sigrid Adorf: Operation video. The use of images as visual agents in struggles over representation. In: FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur (2014) Nr. 57, S. 41–50. DOI: http://dx.doi.org/10.25969/mediarep/13096.
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Restoration, Integrity and Experience: Framing and Suturing Byzantine Art in Museums
Bauhaus-Universität Weimar; Weimar, 2014-05-28
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Irationsal.org's Traum. A Psychoarchaeologist’s Dramaturgy
Mute; Post Media Lab; London, 2014
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The Descent of Art. The Evolution of Visual Art as Communication via Material Culture
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High-tech trash. Glitch, noise, and aesthetic failure
University of California Press; Oakland, 2019
Enthalten in: Carolyn L. Kane: High-tech trash. Glitch, noise, and aesthetic failure. Oakland, California: University of California Press (2019) DOI: doi:https://doi.org/10.1525/luminos.83.
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Vanishing Counterpoints: On Air, Bees, Spiders, and Other AI
Bauhaus-Universität Weimar; Weimar, 2019-06-05
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The Development of Digital Narratives. Case study: Fred Adam and the pioneering multimedia interactive creations in the MIDE of Cuenca during the 1990s
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Tony Conrad. Video - und darüber hinaus
Peter Lang; Bern, 2015
Enthalten in: Lurk, Tabea (2015): Tony Conrad. Video - und darüber hinaus. Bern: Peter Lang. DOI: http://dx.doi.org/10.25969/mediarep/709.
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Renegotiating Data Ecologies Through Trees, Soil, and Pigs' Lungs
Enthalten in: Thomas Bjørnsten und Jan Løhmann Stephensen: Renegotiating Data Ecologies Through Trees, Soil, and Pigs' Lungs. In: spheres: Journal for Digital Cultures 2015 Nr. 2, S. 1–15. DOI: http://dx.doi.org/10.25969/mediarep/3828.
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How to Take the Lid of the Utah Teapot. Making and Material of Digital Images
Bauhaus-Universität Weimar; Weimar, 2010-09-22
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