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Elective Affinities? History and Photography
Enthalten in: Jäger, Jens (2018): Elective Affinities? History and Photography. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 39–55. DOI: http://dx.doi.org/10.25969/mediarep/1621.
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African Photography in the Atlantic Visualscape. Moving Photographers – Circulating Images
Enthalten in: Schneider, Jürg (2018): African Photography in the Atlantic Visualscape. Moving Photographers – Circulating Images. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 19–38. DOI: http://dx.doi.org/10.25969/mediarep/1620.
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Re-imagining the Family Album through Literary Adaptation
Enthalten in: Waterman, Sally (2018): Re-imagining the Family Album through Literary Adaptation. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 155–176. DOI: http://dx.doi.org/10.25969/mediarep/1678.
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Re-framing Photography – Some Thoughts
Enthalten in: Michels, Stefanie (2018): Re-framing Photography – Some Thoughts. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 9–17. DOI: http://dx.doi.org/10.25969/mediarep/1619.
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How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes. The Case of Togo
Enthalten in: Azamede, Kokou (2018): How to use Colonial Photography in Sub-Saharan Africa for Educational and Academic Purposes. The Case of Togo. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 57–68. DOI: http://dx.doi.org/10.25969/mediarep/1646.
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Presentness, Memory and History: Thabiso Sekgala, HOMELAND
Enthalten in: Gutberlet, Marie-Hélène (2018): Presentness, Memory and History: Thabiso Sekgala, HOMELAND. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 69–88. DOI: http://dx.doi.org/10.25969/mediarep/1647.
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On the Circulation of Colonial Pictures. Polyphony and Fragmentation
Enthalten in: Hahn, Hans Peter (2018): On the Circulation of Colonial Pictures. Polyphony and Fragmentation. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 89–108. DOI: http://dx.doi.org/10.25969/mediarep/1650.
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Portraits of Distant Worlds. Frobenius’ Pictorial Archive and its Legacy
Enthalten in: Kuba, Richard (2018): Portraits of Distant Worlds. Frobenius’ Pictorial Archive and its Legacy. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 109–131. DOI: http://dx.doi.org/10.25969/mediarep/1652.
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Reflexions on the Photographic Archive in the Humanities
Enthalten in: Prussat, Margrit (2018): Reflexions on the Photographic Archive in the Humanities. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 133–153. DOI: http://dx.doi.org/10.25969/mediarep/1677.
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Public Rites/Private Memories. Reconciling the Social and Individual in Wedding Photography
Enthalten in: Ruchatz, Jens (2018): Public Rites/Private Memories. Reconciling the Social and Individual in Wedding Photography. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 177–203. DOI: http://dx.doi.org/10.25969/mediarep/1679.
BASE - Bielefeld Academic Search Engine , mediarep