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«When one cannot read the original language, one rapidly loses oneself in translations (veils, fringes or clothing …)»
Enthalten in: Katrin Mayer und Kathrin Peters: «When one cannot read the original language, one rapidly loses oneself in translations (veils, fringes or clothing …)». In: Zeitschrift für Medienwissenschaft. Heft 5: Empirie, Jg. 3 (2011) Nr. 2, S. 112–120. DOI: http://dx.doi.org/http://dx.doi.org/10.25969/mediarep/4168.
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The Art of Ethics in the Information Society
Amsterdam University Press; Amsterdam, 2016
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Re-imagining the Family Album through Literary Adaptation
Enthalten in: Waterman, Sally (2018): Re-imagining the Family Album through Literary Adaptation. In: Sissy Helff und Stefanie Michels (Hg.): Global Photographies. Memory - History - Archives. Bielefeld, Germany: transcript, S. 155–176. DOI: http://dx.doi.org/10.25969/mediarep/1678.
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Introduction
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Framing and Conserving Byzantine Art at the Menil Collection: Experiences of Relative Identity
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Intermedien. Zur kulturellen und artistischen Übertragung
Chronos; Zürich, 2010
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Couleurs à la mode. Impressionism as an Effect of the Chemical Industry
BASE - Bielefeld Academic Search Engine , mediarep
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Mapping the New Britain Museum of American Art. Mental and Visual Landscapes from the Past and in the post 9/11 World
Enthalten in: Ritzenhoff, Karen A. (2010): Mapping the New Britain Museum of American Art. Mental and Visual Landscapes from the Past and in the post 9/11 World. In: AugenBlick. Marburger Hefte zur Medienwissenschaft 45, 86-105. DOI: http://dx.doi.org/10.25969/mediarep/2290.
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Portrait of Absence. The Aisthetic Mediality of Empty Chairs
BASE - Bielefeld Academic Search Engine , mediarep
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No Child left inside. A Nature Scape Playground as Community Engagement in the United States
Enthalten in: Liley, Chez (2010): No Child left inside. A Nature Scape Playground as Community Engagement in the United States. In: AugenBlick. Marburger Hefte zur Medienwissenschaft 45, 106-117. DOI: http://dx.doi.org/10.25969/mediarep/2292.
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Textile Diagrams. Florian Pumhösl's Abstraction as Method
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Ecologies of Disclosure: On Aesthetic Compositions of Technics and Life
Enthalten in: Bernard Dionysius Geoghegan: Ecologies of Disclosure: On Aesthetic Compositions of Technics and Life. In: spheres: Journal for Digital Cultures 2015 Nr. 2, S. 1–6. DOI: http://dx.doi.org/10.25969/mediarep/3829.
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Moving image and institution: Cinema and the museum in the 21st century, University of Cambridge (6-8 July 2011)
Enthalten in: Herrera, Beatriz Bartolomé (2012): Moving image and institution: Cinema and the museum in the 21st century, University of Cambridge (6-8 July 2011). In: NECSUS. European Journal of Media Studies 1 (1), 181–186. DOI: https://doi.org/10.5117/NECSUS2012.1.HERR.
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›A Skin Deep Creed‹. Tattooing as an Everlasting, Visual Language in Relation to Spiritual and Ideological Beliefs
BASE - Bielefeld Academic Search Engine , mediarep
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The “anarchive” Series as a Challenge between Art and Information. A singular approach of media art history
BASE - Bielefeld Academic Search Engine , mediarep
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#Best Practices for Conservation of Media Art from an Artist’s Perspective
BASE - Bielefeld Academic Search Engine , mediarep
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Operation video. The use of images as visual agents in struggles over representation
Enthalten in: Sigrid Adorf: Operation video. The use of images as visual agents in struggles over representation. In: FKW // Zeitschrift für Geschlechterforschung und visuelle Kultur (2014) Nr. 57, S. 41–50. DOI: http://dx.doi.org/10.25969/mediarep/13096.
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“Beyond Physics”? – Conceptual Art and Science
Bauhaus-Universität Weimar; Weimar, 2016-05-11
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Digital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities
Edition Donau-Universität; Krems a.d. Donau, 2019
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Irationsal.org's Traum. A Psychoarchaeologist’s Dramaturgy
Mute; Post Media Lab; London, 2014
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