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Le feuilleton
Art press / International edition , 2008
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
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Le feuilleton de
Art press / International edition , 2009
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
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LIVRES - Fabrice Hadjadj le paradis à la porte
Art press / International edition , 2011
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
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Éditorial La honte
Art press / International edition , 2014
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
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Éditorial Censures, impostures et inquisition - A Shut up already
Art press / International edition , 2014
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
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le feuilleton
Art press / International edition , 1994
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
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Using Contrasts to Make Landscapes More Believable - Painting large billboards helped Texas artist Chris McHenry understand how to use contrasting values, color temperatures, and edges to paint a realistic image. Now working on a smaller scale, he still balances those aspects of painting to establish depth, atmosphere, focus, and emotion in his oil landscapes
American artist , 2006
Enthalten in: American artist
OLC Kunst und Kunstwissenschaft
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Le feuilleton
Art press / International edition , 2006
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
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le feuilleton
Art press / International edition , 1994
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
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When to Be Critical, When to Let Go - Californian Kim Lordier has succeeded by pushing herself to create better and more original paintings with pastel and by stopping herself from rendering photographic details. "I had to gain enough confidence to make marks that expressed what I wanted to say about a subject, and then walk away from the painting before I overworked it," she explains
American artist , 2007
Enthalten in: American artist
OLC Kunst und Kunstwissenschaft
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How Artists Paint the Landscape - During 28 years of interviewing artists for American Artist, I've watched hundreds of painters use a variety of materials and techniques. That extended art education helps me analyze the approaches taken by the artists who gathered at the Forbes Trinchera Ranch last summer
American artist , 2007
Enthalten in: American artist
OLC Kunst und Kunstwissenschaft
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Recalling a Total Experience With Acrylic Paints - In her acrylic paintings, Emily Cameron Pressly creates comprehensive records of her experiences, emotions, and observations by working from her impression of a subject rather than from direct observation
American artist , 2007
Enthalten in: American artist
OLC Kunst und Kunstwissenschaft
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NOYES CAPEHART LONG: ART EMERGING FROM REAL EXPERIENCES
American artist , 1995
Enthalten in: American artist
OLC Kunst und Kunstwissenschaft
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le feuilleton
Art press / International edition , 1995
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
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Le feuilleton
Art press / International edition , 2004
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
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Take the Outdoors Into the Studio - June Young is a dedicated studio painter, but she sharpens her watercolor painting skills and perceptions by working on location during travel workshops
American artist , 2005
Enthalten in: American artist
OLC Kunst und Kunstwissenschaft
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celle par qui Céline advint
Art press / International edition , 1994
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
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WATERCOLOR PAINTING: LEARNING BY DOING - According to Washington state artist Stan Miller, materials and techniques are not nearly as important as painting a lot of pictures
American artist , 2004
Enthalten in: American artist
OLC Kunst und Kunstwissenschaft
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Le feuilleton
Art press / International edition , 2007
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
-
le feuilleton
Art press / International edition , 1994
Enthalten in: Art press / International edition
OLC Kunst und Kunstwissenschaft
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