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Introduction
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Moving image and institution: Cinema and the museum in the 21st century, University of Cambridge (6-8 July 2011)
Enthalten in: Herrera, Beatriz Bartolomé (2012): Moving image and institution: Cinema and the museum in the 21st century, University of Cambridge (6-8 July 2011). In: NECSUS. European Journal of Media Studies 1 (1), 181–186. DOI: https://doi.org/10.5117/NECSUS2012.1.HERR.
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#Best Practices for Conservation of Media Art from an Artist’s Perspective
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The “anarchive” Series as a Challenge between Art and Information. A singular approach of media art history
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Digital Art through the Looking Glass. New strategies for archiving, collecting and preserving in digital humanities
Edition Donau-Universität; Krems a.d. Donau, 2019
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Interpreting an Improper Materialism. On Aesthesis, Synesthesia and the Digital
Enthalten in: Scarlett, Ashley (2015): Interpreting an Improper Materialism. On Aesthesis, Synesthesia and the Digital. In: Digital Culture & Society 1 (1), S. 111–129. DOI: http://dx.doi.org/10.25969/mediarep/739.
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‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM
Enthalten in: Smith, Caylin (2012): ‘The Last Ray of the Dying Sun’ – Tacita Dean’s commitment to analogue media as demonstrated through FLOH and FILM. In: NECSUS. European Journal of Media Studies 1 (2), 269–298. DOI: https://doi.org/10.5117/NECSUS2012.2.SMIT.
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The Artistic Contribution of Electrographic Practices to the Archaeology of Electronic Art
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Bewegter Holzschnitt und Film. Bewegungsdarstellungen in der frühen Druckgrafik Ernst Ludwig Kirchners
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Shifts in the Photographic Paradigm through Digitality & the Aesthetics of Noise
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Hin zum Film - Zurück zu den Bildern. Tableaux Vivants: »Lebende Bilder« in Filmen von Antamoro, Korda, Visconti und Pasolini
transcript; Bielefeld, 2008
Enthalten in: Barck, Joanna (2008): Hin zum Film - Zurück zu den Bildern. Tableaux Vivants: »Lebende Bilder« in Filmen von Antamoro, Korda, Visconti und Pasolini. Bielefeld: transcript. DOI: http://dx.doi.org/10.25969/mediarep/1070.
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Georg Nees & Harold Cohen: Re:tracing the origins of digital media
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IMAGE. Zeitschrift für interdisziplinäre Bildwissenschaft. Heft 17
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